Page 89 - 《社会》2026年第3期
P. 89
社会·2026·3
Work.” Work and Occupations 44（4）：376-423.
Thompson， Paul and David McHugh. 1990. Work Organisations： A Critical Introduction.
Basingstoke：Macmillan.
Towse， Ruth. 2001. Creativity， Incentive， and Reward：An Economic Analysis of Copyright
and Culture in the Information Age. Cheltenham： Edward Elgar Publishing.
Ursell， Gillian. 2000. “Television Production： Issues of Exploitation， Commodification and
Subjectivity in UK Television Labour Markets.” Media， Culture & Society 22（6）：805-825.
Varma， Roli. 2007.“Women in Computing： The Role of Geek Culture.” Science as Culture
16（4）：359-376.
Wu， Tongyu. 2020. “The Labour of Fun： Masculinities and the Organisation of Labour
Games in a Modern Workplace.” New Technology， Work and Employment 35（3）：
336-356.
Wu， Tongyu. 2024. Play to Submission： Gaming Capitalism in a Tech Firm. Philadelphia：
Temple University Press.
Zhao， Mengyang. 2023.“The Rise of Platform Game Work in China.” Economic and Labour
Relations Review 34（2）：328-342.
Zhao， Mengyang. 2024. “Ready Worker Two： Gendered Labor Regime of Platform鄄Based
Game Work in China.” New Media & Society 27（6）：3293-3313.
责任编辑：田 青
实习编辑：郭 琦
· 82·
