Page 180 - 《社会》2026年第1期

成为“情境艺术家”：斜杠影像创作者的身份建构

entirely separate their professional identities from their creative sphere； instead，
they leverage existing social relationships as a “more efficient” resource for their
work. Economic considerations also become embedded in the selection and curation
of creative content through more subtle， everyday ways. Based on these
observations， this paper challenges existing interpretations that frame multiple
professional identities primarily as livelihood strategies or tools for mobility.
Instead， it argues that the identity construction of photographers with a slash
identity should be understood as a situated identity practice unfolding within
institutionalized career systems. This identity construction temporarily repairs the
oppressive life experiences imposed by the time structure of primary occupations and
rebuilds self鄄meaning through phased engagement in visual communities and local
creative activities. Yet， within the cycle of returning to primary occupations and
sustained participation， it exposes an irreconcilable tension between dependence
and autonomy. The study enriches our understanding of the life circumstances and
identity experiences of contemporary middle鄄class groups within the context of slash
careers.
Keywords：slash career， situated identity， photographer， identity construction

一、 引言

1
2023 年 7 月的一个夜晚， 当甘肃省临州县东原镇青陂村 的村头
坐满了纳凉的村民时， 林晨悄然走进村委会二楼的会议室。 晚上八点
多，推开会议室的门，一派热闹景象迎面而来：十几位影像创作者围坐
成一圈，轮流展示当天拍摄的照片和视频，讨论拍摄的主题、构图或光
影，分享在与村民打交道的过程中发生的趣事。 会议结束后，林晨几人
又转移到操场，在微光里继续交流有关星空摄影的技巧问题。林晨兴奋
地架起三脚架，将镜头对准夜空中最亮的星点，尝试十余次后终于拍到
清晰的银河。 在相机屏幕亮起的那一刻，众人迅速围拢过来观看，喝彩
声不断。
后来，每当回忆起那个夜晚，林晨仍难掩激动的心情，他特别珍视
这种和平时很不一样的创作体验。作为一名在高校任教的青年教师，林

1. 为保护受访者的权益，本文对涉及的所有受访者的姓名、所在地的地名、相关组织名
称等信息都做了虚拟化处理。

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